Sally Howitt
Sally Howitt is an actress and writer, known for The Decoy Bride (2011), Bad Boys (1995) and The Tales of Para Handy (1994).
Sally Hughes
Sally Hughes is an actress, known for Criminal Minds (2005), Rosewood (2015) and Code Black (2015).
Sally Hughes
Sally Hughes is known for In the Line of Fire (1993), Alfred Hitchcock Presents (1955) and Murder, She Wrote (1984).
Sally Huynh
Sally Huynh is known for Guardians (2009).
Sally Hyde Lomax
Sally was born in Bromley, Kent, and has lived variously in Derbyshire, Sussex, London, Northern Ireland, The Forest of Dean and Birmingham. She did an MA in Acting at Royal Birmingham Conservatoire. (2018) and a B.Ed in Drama at Homerton College Cambridge (1985). She is married with five grown up children.
Sally Jackson
Sally Jackson was born and raised in West Texas. She attended four colleges: The University of Kansas, Southwest Texas State, The University of Texas and Trinity University. She majored in Art and English, respectively. Miss Jackson moved to Santa Fe, New Mexico after a fourth year in college, and began a career in theater as a stage manager. It was here that she met with Godfrey Reggio of 'The Institute For Regional Education' and became a member of the crew on the highly regarded documentary film, Koyannisquattsi. Her love for filmaking was sparked by this experience. As major motion pictures cycled heavily into the state of New Mexico, Miss Jackson worked productions as 'Extras Casting Director' for many legendary Directors (see filmography). She recognized the extraordinary talent pool in the state and began lobbying LA casting directors to view tapes of local actors for roles formerly cast out of the Los Angeles area. After a few years of being instrumental in casting SAG roles on big budget films, on many major motion pictures, she requested a new 'credit' as 'Location Casting Director' and thereby coined the same credit phrase. Between casting films, Miss Jackson studied acting with legendary coach, Lawrence Parke, owner/writer of 'Acting World Books' and fondly remembered in Los Angeles as 'The StarMaker'. Currently Miss Jackson is on hold as 'Location Casting Director' for Cruise/Wagner, coaches the young, Hollywood elite for major films and pilot leads, reads scripts for one of the most respected producers in the business and performs regularly as a stand-up comedienne at 'The Improv', 'The Comedy Store', 'The Ha Ha' and 'The Acme Theater'. Her acting resume can be found in 'The Players Guide'. She has only one thing to say about all of this, "Onward through the fog".
Sally James
Sally James was born on May 10, 1950. She is known for Journey to the Unknown (1968), To Sir, with Love (1967) and Cousin Bette (1971). She is married to Mike Smith. They have three children.
Sally Jessy Raphael
Sally Jessy Raphael was born on February 25, 1935 in Easton, Pennsylvania, USA. She is an actress and producer, known for The Addams Family (1991), The Equalizer (1985) and The Guru (2002).
Sally Jo Bannow
Sally Jo Bannow is an actress, known for Hack (1997), Forever Midnight (1999) and Jolene (2008).
Sally Kellerman
Sally Kellerman arrived quite young on the late 1950s film and television scene with a fresh and distinctively weird, misfit presence. It is this same uniqueness that continued to make her such an attractively offbeat performer. The willowy, swan-necked, flaxen-haired actress shot to film comedy fame after toiling nearly a decade and a half in the business, and is still most brazenly remembered for her career-maker in the irreverent hit Korean War dramedy M*A*S*H (1970), for which she received supporting Oscar and Golden Globe nominations. From there, she went on to enjoy several other hallmark moments as both an actress and a vocalist. California native Sally Clare Kellerman was born in Long Beach on June 2, 1937, to Edith (née Vaughn), a piano teacher, and John Helm Kellerman, a Shell Oil Company executive. Raised along with her sister in the San Fernando Valley area, Sally was attracted to the performing arts after seeing Marlon Brando star in the film Viva Zapata! (1952). Attending the renowned Hollywood High School as a teenager, she sang in musical productions while there, including a version of "Meet Me in St. Louis." Following graduation, she enrolled at Los Angeles City College but left after a year when enticed by acting guru Jeff Corey's classes. Initially inhibited by her height (5'10"), noticeably gawky and slinky frame and wide slash of a mouth, Kellerman proved difficult to cast at first but finally found herself up for the lead role in Otto Preminger's "A"-level film Saint Joan (1957). She lost out in the end, however, when Preminger finally decided to give the role of Joan of Arc to fellow newcomer Jean Seberg. Hardly compensation, 20-year-old Sally made her film debut that same year as a girls' reformatory inmate who threatens the titular leading lady in the cult "C" juvenile delinquent drama Reform School Girl (1957) starring "good girl" Gloria Castillo and "bad guy" Edd Byrnes of "777 Sunset Strip" teen idol fame, an actor she met and was dating after attending Corey's workshops. Directed by infamous low-budget horror film Samuel Z. Arkoff, her secondary part in the film did little in the way of advancing her career. During the same period of time, Sally pursued a singing career and earned a recording contract with Verve Records. The 1960s was an uneventful but growing period for Kellerman, finding spurts of quirky TV roles in both comedies ("Bachelor Father," "My Three Sons," "Dobie Gillis" and "Ozzie and Harriet") and dramas ("Lock Up," "Surfside 6," "Cheyenne," "The Outer Limits," "The Rogues," "Slattery's People" and the second pilot of "Star Trek"). Sally's sophomore film was just as campy as the first, but her part was even smaller. As an ill-fated victim of the Hands of a Stranger (1962), the oft-told horror story of a concert pianist whose transplanted hands become deadly, the film came and went without much fanfare. Studying later at Los Angeles' Actors' Studio (West), Sally's roles increased toward the end of the 1960s with featured parts in more quality filming, including The Third Day (1965), The Boston Strangler (1968) (as a target for serial killer Tony Curtis) and The April Fools (1969). Sally's monumental break came, of course, via director Robert Altman when he hired her for, and she created a dusky-voiced sensation out of, the aggressively irritating character Major Margaret "'Hot Lips" Houlihan. Her highlighting naked-shower scene in the groundbreaking cinematic comedy M*A*S*H (1970) had audiences ultimately laughing and gasping at the same time. Both she and the film were a spectacular success with Sally the sole actor to earn an Oscar nomination for her marvelous work here. She lost that year to the overly spunky veteran Helen Hayes in Airport (1970). Becoming extremely good friends with Altman during the movie shoot, Sally went on to film a couple more of the famed director's more winning and prestigious films of the 1970s, beginning with her wildly crazed "angelic" role in Brewster McCloud (1970), and finishing up brilliantly as a man-hungry real estate agent in his Welcome to L.A. (1976), directed by Alan Rudolph. Sally later regretted not taking the Karen Black singing showcase role in one of Altman's best-embraced films, Nashville (1975), when originally offered. Still pursuing her singing interests, she put out her first album, "Roll with the Feelin'" for Decca Records in 1972. Films continued to be a priority and Sally was deemed a quirky comedy treasure in both co-star and top supporting roles of the 1970s. She was well cast neurotically opposite Alan Arkin in the Neil Simon comedy Last of the Red Hot Lovers (1972) and again alongside ex-con James Caan as a sexy but loony delight in Slither (1973), a precursor to the Coen Bros.' darkly comic films. She also co-starred and contributed a song ("Reflections") to the Burt Bacharach/Hal David soundtrack of the Utopian film Lost Horizon (1973), a musical picture that proved lifeless at the box office. More impressive work came with the movies A Little Romance (1979) as young Diane Lane's quirky mom; Foxes (1980) as Jodie Foster's confronting mother; Serial (1980), a California comedy satire starring Martin Mull; That's Life! (1986), a social comedy with Jack Lemmon and Julie Andrews; and Back to School (1986), comic Rodney Dangerfield's raucous vehicle hit. Sally's films from the 1980s on were a mixed bag. While some, such as the low-grade Moving Violations (1985), Meatballs III: Summer Job (1986), Doppelganger (1993), American Virgin (1999) and Women of the Night (2001) were beneath her considerable talents, her presence in others were, at the very least, catchy such as her Natasha Fatale opposite Dave Thomas' Boris Badenov in Boris and Natasha (1992); director Percy Adlon's inventive Younger and Younger (1993), which reunited her with MASH co-star Donald Sutherland, and in Robert Altman's rather disjointed, ill-received all-star effort Prêt-à-Porter (1994) in which she played a fashion magazine editor. When her film output waned in later years, Sally lent a fine focus back to her singing career and made a musical dent as a deep-voiced blues and jazz artist. She started hitting the Los Angeles and New York club circuits with solo acts. In 2009, Kellerman released her first album since "Roll with The Feelin'" simply titled "Sally," a jazz and blues-fused album. Along those same lines, Sally played a nightclub singer in the comedy Limit Up (1989) Kellerman's seductively throaty voice has also put her in good standing as a voice-over artist of commercials, feature films, and television. Among her offbeat output in millennium films were prime/featured roles in the soft-core thriller Women of the Night (2001), written and director by Zalman King, in which she played a lady deejay (she also gets to sing); the real estate musical Open House (2004) in which she played an agent (who gets to sing again); the Florida senior citizens' romantic comedy The Boynton Beach Bereavement Club (2005); the comedy Night Club (2011) where friends and residents start a club in a retirement home; the social dramas A Place for Heroes (2014) and A Timeless Love (2016); and the family dramedy The Remake (2016). Divorced from Rick Edelstein, Kellerman married Jonathan D. Krane in 1980 and the couple adopted twins, Jack and Hanna. Sally was also the adoptive mother of her niece, Claire Graham. Her husband died unexpectedly in August 2016; less than three months later, daughter Hanna died from heroin and methamphetamine use. Sally died on February 24, 2022 in Los Angeles.
